Problem of Good and Evil Essay Example for Free

Problem of Good and Evil Essay ? 12/2/09 How can a God who is both omnipotent and good allow evil in the world? For Christians, evil can be a problem because non-believers can use it as a way to attack Christianity. The first thing they might say is if there is evil, then God must not be good or omnipotent because he is allowing it. Yes, God allows evil in the world, but evil does not come from God. Evil comes directly from Satan. We see this in the book of Matthew, vs. 1-11, where Satan tries to tempt Jesus. Another way an non-believer may discredit Christianity is saying that because there is evil, God doesnt exist. This is definitely false. God does exist and we know because the Bible says so. We also can see the results of his power. Some examples of that are when Moses led the Israelites out of slavery in Egypt and God parted the waters of the red sea so they could get through, but he closed them over the Egyptians and they were wiped out. Another example is the woman who had been bleeding for twelve years, in Mark 5: 25-34, and with one touch of Jesus robe, was healed. This is just a little taste of Gods power over evil. Finally, non-believers could say that God is no better than pagan gods, but he is real and here to save us. God hates evil, but Adam sinned which caused evil in mankind, and he had to bear the consequences of his disobedience against God. The Bible shows us that God is both omnipotent and good. God is omnipotent which means all-powerful. In Luke 1:37, it says For nothing is impossible with God. There isnt anything that God cant do. Also in Rev. 19:6, it states Then I heard what sounded like a great multitude, like the roar of rushing waters and like loud peals of thunder, shouting: Hallelujah! For our Lord God Omnipotent reigns. In that verse, we see God directly described using that word. Now on the other hand, God is good. How can we define good? That is difficult to do. My definition of good is: Having desirable or positive qualities. God is good to his people, and everything he has created. Psalm 136:1, a passage about Gods goodness, says, Give thanks to the Lord, for he is good. His love endures forever. Another passage is from Psalm 34:8, which says O taste and see that the Lord is good: blessed is the man that trusts in him. This verse is saying that if you let God in your life, you will see that he can provide only good things for you. He will not bring evil your way. God may cause trials in your life, but that is only because he wants to produce perseverance, as said in James 1:3.

Air Quality Essay Example for Free

Air Quality Essay 1. Identify and describe the nature of this issue, the spatial and ecological dimension? Air quality is a measure of the amount of pollutants emitted into the atmosphere and the dispersion potential of an area to dilute those pollutants. It is a massive problem of urban living and remains one of the largest environmental concerns. Spatial dimension relates to how air quality differs between places at different times and under different weather patterns. Increasing population and demand for more goods puts greater pressure on air quality. The human population’s interaction with the environment relates to the ecological dimension. In terms of air quality this relates to the impacts of increased gases and particles associated with transportation, industrial activities, smoking, dust storms from over grazing on marginal land, bush fires and the burning fossil fuels. Many of these activities cause increases in carbon monoxide, ozone, sulphur dioxide, nitrogen dioxide, lead and particles in the atmosphere. People get health problems due to these increases. For example, excessive carbon monoxide levels in the blood stream reduce its ability to transport oxygen. This in turn causes headaches and tiredness. 2. Explain the geographic processes causing the issue Humans are exposed to a number of pollutants , air toxics and particulate matter in the air we breathe and live in. A number of organisations have worked on standards that identify those levels that are safe and those that are not and how these impact on a human’s well being. Pollutants are substances which at high enough levels can cause harm to people and the environment (including plants and animals). Things like sulphur dioxide is from coal, oil burning power stations, mineral ore processing and chemical manufacture. With Sulfur dioxide health issues like the throat and lungs are attacked. People with breathing problems can suffer severe illness . Nitrogen dioxide Is caused from fuel combustion. The throat and lungs are affected with increased levels in the atmosphere. The burning of fossil fuels and motor vehicle emissions increase carbon monoxide levels. Excessive carbon monoxide levels in the blood stream reduce its ability to transport oxygen. This in turn causes headaches and tiredness. Volatile organic compounds are caused by combustion of fuel, motor vehicles and solvent use. With increased levels of VOCs skin irritation, eye irritation and nausea may be caused. It can also be a cancer causing issue. Ozone is formed from nitrogen oxides and hydrocarbons in sunny conditions. It is also released by motor vehicles and industry. The tissues of the throat, lungs and eyes may be irritated. Increased lead levels are as a result of exhaust gases from motor vehicles that use leaded petrol, as well as emissions from smelters. In lead it can get into your lungs and go into your blood stream. It can affect you by shutting down your nervous system and the body will stop producing blood and you will die. Motor vehicles, burning of plant materials and bush fires increase levels of particles in the atmosphere. Breathing difficulties and respiratory diseases may worsen. Some particles may contain cancer causing agents. Air toxics are pollutants that are also hazardous to humans. Air toxics are hydrocarbons and heavy metals. They are of high concern when emitted close to the source. Examples include at industrial sites and heavily used roads. There is a connection with high levels of air toxics to cancer, birth defects, genetic damage and respiratory and nervous system disorders. Particles are liquids or solids found in the air. They can be natural substances all those from fuel burning processes. The most damaging particle is known as PM10. This is due to the fact it can stay in the atmosphere for long periods and also be carried large distances is has been known to increase death rates in areas of high concentrations. 3.Outline some contrasting views of different groups involved in the issue? A major issue associated with air quality is related to traffic congestion. Traffic congestion in Sydney has forced roads to go underground in tunnels. Exhaust fumes are then sent above ground via ‘stacks.’ These stacks are of major concern in the areas where they are located, in particular for the health of humans and animals, as well as the environment. The M5 East tunnel, in particular, has had strong feelings from a number of groups. Originally 3 stacks were to be built on high ground to rid the tunnel of fumes. There were many people against this, so only one 35 metre stack was built without a pollution filter. Some contrasting views are summarised below, from a number of groups: Residents against pollution stacks: (RAPS): Protest, court cases, inquiries, petitions and letters have been written to voice concern about pollution, but little has been done. This group believes they are unhealthy, expensive to run and that the government is not caring about the publics health and safety. Minister for roads (state parliament 2006): The Minster believes that the public’s health is not at risk, because of fresh air is put into the tunnels and air quality levels are always met. He believes standards are constantly monitored and that it is well used by motorists. DR Raymond Kearney- associate professor in dept. of Infectious diseases/Immunology: Acess to clean sir is a human need and right. Your lungs me a barrier between the outside world and your body, the tosic substances from the air that is leaving the tunnel and the air that is in side the tunnels reaches your body via the lungs. The burning of petrol, diesel is one of the most toxic sources.

Origin And Importance Of Rattan Weaving Cultural Studies Essay

Origin And Importance Of Rattan Weaving Cultural Studies Essay A traditional mode of occupation to some of our local people. Mostly the weavers are blind people which had been trained by Ministry of Welfare to give this people a chance to earn and make living with this job. It is also one of Terengganu famous craft that can be bought as a souvenir or can be use in a daily work. Its is one way of diversifying the handicraft products and develop this family business into a more systematic industry producing long term, high standard quality products, that are able to penetrate the tourist and commercial markets. Mengkuang (screw pine leaves) or pandanus weaving is one of the traditional arts still very much alive and its products are still in demand. The Mengkuang and pandan leaves are found abundance in the local jungles. The leaves are first cut in long strips and dried in the sun. Once dried, it is boiled and dyed with vegetable colours. Still using the traditional weaving techniques, the mengkuang or pandan leaves are coiled, plaited, twined and woven to create beautifully products such as mats, conical food covers, grocery bags, hand fans, baskets, tissue decorative boxes, hats, handbags, slippers, purses and pencil cases. The potential of Mengkuang/pandan has been tapped into and creating increasing demands by tourists and locals. The Mengkuang/pandan finished products are widely available at the Central Market and souvenir shops. Wau Making Wau (pronounce as wow) can appear in all shapes and size but the most popular and famous kite is the moon kite (Wau Bulan) and cat kite (Wau Kucing) in the east coast. Kite making requires patience and tremendous skill. Bamboo will be cut and make into the frame or skeleton of the kite. The best time to cut the bamboo is in November or December and this will be kept for 10 months before it is split and soaked in water followed by heated to straighten and toughen. On the other hand, designs are traced on a tinted and shiny glazed paper and then carefully cut out and pasted on paper which is glued to the bamboo skeleton. The designs are normally flowers with vines which signifies women (flower) and man (vine), eg. if the flowers are in bud form, it symbolizes a young woman etc. In some older designs, flowers were drawn from the side and back to represent the shy and reserved personality of female in those days whereas for the vines, the more meandering the vines, the more twists and turns in a mans life. There are also waus that are made using the batik technique or painted by batik artists and the designs are always more creative and less formalized by tradition. It is never an easy job to fly a Wau kite into the sky. A traditional Wau can be as big as 3.5m in height and 2.5 m wing span and usually needs the help of a group of person to bring it to the sky. To choose a good kite, you should look at the harmonious colours matched and the flowers as well as the vines drawn which represent the inner state of the kite maker. In a windy day, a Wau can fly up to 450m into the sky. Batik Hand drawn batik is an exquisite and delicate art which requires skill, patience, meticulousness, flair and creativity. Batik is intrinsic to the fashion world, be it in cotton or silk or in the making of sarongs, scarf, pareos, shirts, shorts, handbags, purses and even shoes.  Terengganu batik shows originality and is not commercialised thus, retaining its price for the quality of the material and the elegance of the designs. A special wax is mixed with amber and boiled over a slow fire to maintain the optimum temperature. On white cotton or silk fabrics, a special copper chanting pen dipped with the wax.  The designs reflect nature-based motifs such as floral prints and marine life to produce a freestyle handrawn motifs. Each drawings are different. Another method is by using either tin, copper or brass block print stamped with flowers or abstract designs. They are first dipped into the wax and then used to print the designs on the white fabrics. Colours will be added after the wax had dried. Different colours can be added without spreading onto other parts as the wax creates sections within the designs. The fabrics will then dipped in boiling water to wash off the wax and to strengthen the colours before the batik can be made into different products. The elegant prints stand out on mens shirts and womens dresses. Batik souvenirs include pareos, scarfs, wall panels, neckties, handbags, purses and shoes. Contemporary batik designs are also being introduced as designer wear, to alleviate batik to exclusive international standards. Batiks are available at various shops especially at the central market. Watch out though for low quality batik sold at exorbitant price. The colours are easily come off, usually on the first wash. Buying at an established batik shops therefore guarantees the quality of the products. Songket The origins of the many different colourful and traditional textile are lost in antiquity. The art of songket weaving consist of using traditional heirloom to make intricate songket brocade through painstaking weaving with gold or silver threads. Songket is a rich fabric that is worn only on auspicious occasions and used to be the textiles of royalty. It is now the headgear of Sultans, Chief Ministers and the States Cabinet members. The weaving process usually takes a few days for normal and simple designs songket cloth but for more intricate designs, usually takes more than two weeks and can costs thousands of Malaysian Ringgit. Several shops in Kuala Terengganu sell this regal fabric that comes in an array of both vibrant and pastel shades. The elegant and exquisite songket is slowly being introduced into the international fashion scene by adapting it to a more contemporary style. Wood Carving Wood carving was originally found in houses of sulatans or Malay nobility as part of their interior decoration and the craftsmen were commissioned for their services. Because human depiction is prohibited in Islam, Malay wood carving gets its inspiration from flora, animal motif and Islamic art but this has never influence its finest artistically designs. Terengganu wood carving not only found in the beams, doorways, window shutters of a house, but also in the traditional boat making industry and some furniture items such as sofa, bed frame and mirror frame and as small as a jewelry box. Brassware The people in Terengganu are well known for their creativeness. A simple item will turn into a most exquisite and delicate article by their hands. Brassware is generally a cottage activity. It is very usual that the son will learn the skill and trading strategy from his father whom had also learned from his father and later brings forth to the next generations. Regardless whether it is from silver, wood or pewter, brassware like vases, ashtrays, jugs, candle stands, napkin holders, filigree jewellery, incense burners etc are turned into a piece of fine and presentable art and at the same time with practical usage. This is why brassware is always one of the ideal surveniors that one can bring home. It is believed that the skills were taught to the local folk by Chinese settlers from Funan. The lost-wax method is usually employed, though sandcasting is also used. At the Central Market, or Pasar Payang, located by the Terengganu river, brassware is sold amongst many other enticements. Keris Making This double edged wavy blade dagger is the synonymous with the Malay culture and way of life. In the ancient time, a man walks without a keris was akin to walking around in naked. In those days, keris was always believed to be endowed with mystical powers and guardian spirit, this makes it serves the function as weapon to defend oneself in a combat and to use for medicinal purposes. There are handful of Malay legendaries about keris. The famous among these will be the keris of Hang Tuah who is the Malay hero during the Sultanate of Melaka. Hang Tuahs keris, Taming Sari was presented by the King of Majapahit to Sultan of Melaka after Hang Tuah won in a challenge. This keris was believed to have endowed with powerful spirit. Whoever possesses this keris would attain invulnerability. There was a story saying that Hang Tuah killed his childhood friend, Hang Jebat because of being disloyal to the Sultan with this Taming Sari. He was very ashamed to have killed his own childhood friend in the name of loyalty, therefore he then returned the keris to the Sultan. There is always romance and adventure and nobility in a keris. Because of being so precious, keris is always highly valued and treated with special care. Keris has two kind of shapes: keris lurus (straight keris) and keris luk (meandering keris). Empu, the keris maker will make the dagger accordance with the wish of consumer. Whether straight or luk, this will only be done during which the nickel inserted iron rod is repeatedly being forged and smoldered. The fluid design of the blade makes the keris stand out as a unique dagger-like weapon. Its ornate carved handle also provides for a strong grip. It is no wonder that the keris is one of the oldest of personal weapons. Made from the combination of eight to ten different metals, the spiritual qualities of the keris are known to include the spirits of warriors. Some myths even warn that certain lethal daggers should never be simply removed from their sheaths for their blades must taste blood before being inserted again. Keris making is considered as a dying art in Malaysia, however visit to the keris making centre in Kampung Pasir Panjang and Kampung Ladang Titian in Kuala Terengganu is still worth. Here you can see how a piece of raw iron is to turn into this significance and meaning rich weapon. You can also purchase you own piece of keris collection with relatively cheap price. Beaded necklaces The Rungus, the natives of the Kudat area, have long been known to produce beautiful beaded necklaces; they wear long, broad multi-stranded pinakol crossed over their shoulders over their traditional black costumes interwoven with gold thread. Patterns on the strands tell of ancient fables, and human figures are picked out in bright hues in the beadwork. Ever-enterprising, the Rungus today produce bangles, earrings and even brooches to go with the necklaces. Parang The parang is still crafted in traditional ways by the Bajau from Kota Belud. The ones made by them these days are usually from scrap iron, which goes though a process of melting, pounding, shaping and finally polishing. The blades are straight and tapered, from a sharp tip widening up towards the hilt. Some may have patterns etched into the metal along the topside. The hilt and sheath are carved from of wood, and occasionally one can come across an antique parang with a wonderfully carved hilt of horn. In days gone by, the parang was used as a weapon as well as a work tool, but these days it is mainly a decorative item for display.    Tudung Duang Tudung Duang is the local name for a food cover: in the tropics, like in Sabah, food on the table has to be protected from insects and dust. One is instantly attracted to them because of their bright colours, especially when they are laid out on pandan (screw pine leaf) mats in high piles, like at the Kota Belud Tamu grounds on the weekly Sunday Market (tamu). Native hat By the shape of a native hat, and its patterns, one can immediately identify the wearer to which ethnic entity he or she belongs. Most hats here are steeply conical and have nature-derived designs on them. Murut hats woven from the strips of sombituon bamboo are hexagonal in shape with a three-bands patterned weaving. Hats from Penampang and Tuaran have wider, circular bases with geometrical designs. All these hats are crafted from bamboo and rattan strips, and the red and black colours used to be natural dyes red from the mengkudu root, or dragons blood which is obtained from the fruit of a climbing rattan, and black from the leaves and stalks of the indigo plant. The Murut from the Nabawan area are now reproducing their hats in scaled-down sizes, showing their skill and craftsmanship in the extremely delicate weaving. Lipa-lipa Bajau sailboats, the lipa-lipa, carved from wood, and blowpipes used by Murut on hunting trips are available in many handicraft shops. The tambu-tambu wood is the main wood used in making the lipa-lipa, apart from mata-mata and gangil. A traditional lipa-lipa is elaborately carved. The designs are based on the motifs of plants, namely the kembang tuli or dahan and kellong. The blowpipe, or sumpitan, can be made of bamboo or hardwood. In the latter case the central duct has been drilled through in a long, manual process. Pottery Pottery has a long tradition in Sabah, and ancient Chinese jars, or tajau, were once even used to bury the dead. The Murut especially cherish and value their heirloom jars, in which they still ferment tapai their traditional rice wine. If you visit some of the antique shops in KKs major shopping malls you might come across nice Ming Dynasty vases; better still, you admire antique jars that are kept in the houses of the locals (like in the picture left). On the way to Tuaran, there are several potteries manufacturing nice vases and plates, as well as other household items made from clay. Kain dastar Rinago There are over 32 different ethnic entities in Sabah, and all of them have their own, sometimes specialised handicraft. Many more traditional items appeal to visitors to Sabah, such as the richly woven kain dastar, a piece of fabric used as headgear by the men of certain ethnic communities such as the Kadazan and Dusun; and the rinago trays and boxes made of rattan and lingkong, a type of fern that produces long, very tough strands ideal for weaving. The latter is made by the Rungus people. Silverware The Malay Kelantanese are well known for their Silverware making skills. These skills have been around for centuries, influenced by the Hindu and Islamic Civilization famous for well crafted items from gold and copper. Copperwork This is a skilled handiwork still flourishing in Terengganu. Traditional techniques are still being used in most processes though machines have been introduced to replace some processes. Copperware products include tepak sireh, candle holders, wedding gift trays, ember holder, pahar and others. Ceramic Ceramic art is a craftwork using high quality clay that is kneaded, decorated with a variety of motif, and fire-dried in kilns to produce fine ceramic products. Bead The indigenous people of Sarawak have since long ago been associated with beadwork for adornment as well as for ceremonial purposes. Here, beads tradition goes back to the very remote past. The variety of beads, the materials from which they are made , their colours and the values attributed, all make up an interesting conversation and discussion. Beads, today, are used in many different ways and one can see government officials using them as gifts and garlands for different functions and events as well. Pua Kumbu Pua Kumbu is a traditional patterned multicolored ceremonial cotton cloth used by the Iban, made and used in Sarawak, Malaysia. Pua kumbu are woven by Dayak women and are considered to be sacred objects. They are used for lifecycle rituals and special events including the birth of a child, coming of age celebrations, receipt of an important item to a longhouse, and to screen a corpse that is being laid out in a longhouse prior to burial. Labu sayong Labu Sayong is a black-coloured gourd-shaped clay jar typically used to store and cool water. The state of Perak is renowned for this type of pottery. Belanga Found in many rural Malaysian homes, The belanga  is often  characterised by a round base and wide rim. It is often used to cook curries, as it is believed that its round base allows heat to be distributed more evenly. Terenang This angular-shaped jar is popularly used for storing water in the states of Pahang and Terengganu. It has a concave neck and a convex body. Tekat The art of embroidering golden thread onto a base material, generally velvet, was traditionally used to decorate traditional Malay weddings regalia. Kerongsang A three-piece brooch set traditionally used to pin the lapels of the baju kebaya together. Kerongsang usually comes in sets of three. The typical three-piece set comprises of a kerongsang ibu (mother piece) which is larger and heavier. The other two are called the kerongsang anak (child pieces) and are worn below the kerongsang ibu. Cucuk Sanggul A traditional hairpin used to secure hair in a bun at the back of womens heads. Typically made of gold or silver, these hairpins are normally worn in graduated sets of three, five or seven by brides and traditional dancers. Pending A large, intricately ornamented belt buckle worn around the sampin, a skirt-like cloth worn by men, to complement their baju melayu, the traditional attire for men. Traditionally, the pending is a sign of wealth and status for men.

Henri Matisse:Goldfish :: essays research papers

Henri Matisse: Goldfish Henri Emoile Matisse, born in 1869, is regarded as one of the â€Å"great formative figures in 20th-century art†, as well as the leader of the Fauve group. Fauvism is defined as â€Å"an early-20th-century movement in painting begun by a group of French artists and marked by the use of bold, often distorted forms and vivid colors.† Matisse was associated with this group due to his use of vivid colors, as well as his unusual style of presenting objects. Many critics at this time called him, as well as other artists with similar styles, â€Å"a disgrace for art and therefore called them 'The Fauves'. The Fauves means 'Wild Beasts', a name that the artists of the group accepted with pride.† The main goals of the artists in this movement were to break away from the rigid Impressionist movement, and begin using bolder colors, as well as their own interpretations of shapes. The work of Matisse is based on the principals and possibilities of 'leaving out'. The human min d can fill in what is missing in the painting, like dimension, details and plastical forms. The Fauves expressed their feelings of joy for life and joy for art and painting. Fauvism paved the way for future styles of art, and was considered radical in the early 20th century. Henri Emoile Matisse was born in Le Cateau in northern France on December 31, 1869. The son of a middle class family, his first career was in the law field. However, an appendicitis attack in 1890 rendered him bedridden, and with much time on his hands, he began to study the art of painting. To help alleviate his boredom, his mother bought him a paint box, and thus began his new passion: painting. In 1893, the work of Matisse was noticed by Gustav Moreau, (1826-1898) French painter, who developed a distinctive style in the Symbolist mode. Matisse displayed his work for the first time in 1896 at the ‘Salon de la Societe Nationale’. In 1903, Matisse was exposed to the pointillist paintings of Henri Edmond Cross and Paul Signac. Pointillism was a late 19th-century method of painting, consisting of depositing small dots or strokes of pure color on the canvas. Seen from a distance, these â€Å"points† blend and give the effect of a different color and heightened lumino sity. The style, a development of impressionist color theories, was originated by the French painters Georges Seurat and Paul Signac.

The Identity of a Puerto Rican Essays -- American History Hispanic Ess

The Identity of a Puerto Rican Sidney W. Mintz describes the Caribbean as "a scattering of some fifty inhabited units spanning nearly 2, 500 miles of sea between Mexico's Yucatan Peninsula and the north coast of South America, constitute the oldest colonial sphere of Western European overseas expansion... these territories were dominated and navigated and explored, their aborigines had been thrust into the consciousness of European monarchs, philosophers, and scientists" (17). The islands in the Caribbean might have some common historical patterns of conquest, slavery and the development of multi-cultural societies but each island has its own history, culture and identity. As part of the Caribbean, Puerto Rico can identify with some of the other Hispanic colonies but in reality the issues of ethnicity, race and nationality are unique in Puerto Rico. In the essay, "Ethnic Conflict and Levels of Identity in the Caribbean: Deconstructing a Myth" Ralph R. Premdas writes, "Ethnic identity emerges from collective group consciousness that imparts a sense of belonging derived from membership in a community bound putatively by common descent and culture... Identity as belonging can be acquired through memberships as various communities bound by one or more social attributes such as race, language, religion, culture, region, etc" (24). The question for Puerto Rico is what is the identity of the people if the island has experienced 400 years of Spanish colonialism and 100 years of US sovereignty? How has and still is American colonial intervention affected or affects Puerto Rican culture? The Puerto Rican national identity has been challenged every since Columbus arrived on the island. To better understand the issues and the changes in id... ...uerto Ricanness by providing a counterexample of what Puerto Ricanness is not" (152). It is clearly seen today that many Puerto Ricans are proud to be Puerto Rican even those living in the mainland. Yes, their lives have been altered but their uniqueness and pride will always be there because they will always be Puerto Rican. The addition of US culture on the island adds to Puerto Rico’s makeup. Yet division amongst the Puerto Ricans exist due to the status question of the island. These divisions makes it hard for Puerto Ricans to be identify as one. Bibliography Carrion, Juan Manuel. ed.and Nationality in the Caribbean. Puerto Rico: University of Puerto Rico. 1997 Gonzalez, Jose Luis. Puerto Rico: The Four-Storey Country. New York: Markus Wiener Publishing, Inc. 1993 Morris, Nancy. Puerto Rico:Culture, Politics, and Identity. Connecticut: Praeger. 1995

Revenge and Vengeance in Shakespeares Hamlet - Revenge in Hamlet :: The Tragedy of Hamlet Essays

Revenge in Hamlet Revenge causes the characters in Hamlet to act blindly through anger and emotion, rather than through reason. It is based on the principle of an eye for an eye; this action is not always the best means to an end. Fortinbras, Laertes, and Hamlet were all looking to avenge the deaths of their fathers. They all acted on emotion driven by the want for revenge for their father's deaths, and this led to the downfall of two, and the rise to power of one. Since the heads of the three major families were each murdered, the eldest sons of these families felt that they needed to take some kind of action to avenge their father's deaths; this need to bring honour to their respective families was ultimately the demise of Laertes and Hamlet. There were three major families in the tragedy of Hamlet. These were the family of King Fortinbras, the family of Polonius, and the family of King Hamlet. Fortinbras, King of Norway, was killed by King Hamlet; slain by sword during a man-to-man battle.   "...Lost by his father, with all bonds of law, to our most valiant brother."[Act 1, Scene 2; lines 24-25]. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. Polonius was an advisor to the King, and father to Laertes and Ophelia. He was nosy and arrogant, and he did not trust his children, and at one point in the play, using his daughter to probe Hamlet. Young Hamlet killed Polonius while he was secretly listening in on a conversation between Hamlet and his mother. "How now! A rat? Dead, for a ducat, dead!"[Act 3, Scene 4; Line 25].   King Hamlet was the King of Denmark, and Hamlet's father. He had killed King Fortinbras, only to be killed by his brother, Claudius. " ...My offence is rank, it smells to heaven; A brother's murder..." Each of these events affected the sons of the deceased in the same way. Laertes found out about his father's death, and immediately returned home. He confronted the King and accused him of the murder of his father. Claudius told Laertes that Hamlet was responsible for his father's death. He then decides to kill Hamlet to avenge the death of his father. He and Claudius concoct a plot to kill Hamlet. Hamlet dies of wounds from the poisoned tipped sword Laertes used. Revenge and Vengeance in Shakespeare's Hamlet - Revenge in Hamlet :: The Tragedy of Hamlet Essays Revenge in Hamlet Revenge causes the characters in Hamlet to act blindly through anger and emotion, rather than through reason. It is based on the principle of an eye for an eye; this action is not always the best means to an end. Fortinbras, Laertes, and Hamlet were all looking to avenge the deaths of their fathers. They all acted on emotion driven by the want for revenge for their father's deaths, and this led to the downfall of two, and the rise to power of one. Since the heads of the three major families were each murdered, the eldest sons of these families felt that they needed to take some kind of action to avenge their father's deaths; this need to bring honour to their respective families was ultimately the demise of Laertes and Hamlet. There were three major families in the tragedy of Hamlet. These were the family of King Fortinbras, the family of Polonius, and the family of King Hamlet. Fortinbras, King of Norway, was killed by King Hamlet; slain by sword during a man-to-man battle.   "...Lost by his father, with all bonds of law, to our most valiant brother."[Act 1, Scene 2; lines 24-25]. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. Polonius was an advisor to the King, and father to Laertes and Ophelia. He was nosy and arrogant, and he did not trust his children, and at one point in the play, using his daughter to probe Hamlet. Young Hamlet killed Polonius while he was secretly listening in on a conversation between Hamlet and his mother. "How now! A rat? Dead, for a ducat, dead!"[Act 3, Scene 4; Line 25].   King Hamlet was the King of Denmark, and Hamlet's father. He had killed King Fortinbras, only to be killed by his brother, Claudius. " ...My offence is rank, it smells to heaven; A brother's murder..." Each of these events affected the sons of the deceased in the same way. Laertes found out about his father's death, and immediately returned home. He confronted the King and accused him of the murder of his father. Claudius told Laertes that Hamlet was responsible for his father's death. He then decides to kill Hamlet to avenge the death of his father. He and Claudius concoct a plot to kill Hamlet. Hamlet dies of wounds from the poisoned tipped sword Laertes used.

Advancement Opportunities of Professional Nursing

At a time of the global economic recession, the healthcare professions, including nursing are experiencing an unprecedented upsurge in enrollment. The competition for the most lucrative of nursing positions are on the horizon, not only from US-trained professionals, but from foreign-educated nurses as well – the foreign nursing experts from the Philippines, India, Pakistan, among others.There are two tracks which a professional nurse may pursue in relation with his work – the clinical and management tracks. The former is involved in pain management, beside care and assisting the physicians in surgical operations.The latter is involved in the day-to-day administration of hospitals and clinics, assisting management in the way these medical institutions are being run.The management track is involved in ensuring full efficiency in the deployment of nurses to the different departments of the hospital, and in providing contingency support in the event of a lack in human resou rces in a department.On the other hand, there are many ways by which nurses may advance themselves in their profession. At present, one of the more lucrative specializations in the nursing profession is being a nurse-anesthetist. He is involved in the general pain management of patients, under the direction and supervision of the physician-anesthesiologist.Being a nurse-anesthetist involves greater care and discretion in handling patients compared to regular non-specialized nurses, because it entails the administration of potentially-fatal anesthetic drugs.Meanwhile, nurses uninterested in greater pay can opt to involve themselves in international nursing work, as part of the staff of international medical organizations such as the Medicins Sans Frontieres (Doctors Without Borders), a most recognized international organization of doctors and nurses deployed in the most depressed areas of the world.Another field that may be pursued can be that of being a nurse-lecturer in a nursing s chool, especially now when there is great demand for highly-trained nurses to fill the positions of old nurses about to retire.For my part, I would pursue the clinical track of the nursing profession, because I believe that it would continue honing my bedside skills further and it would provides a sense of greater fulfillment in view of the fact that I shall continue being in constant interaction with patients whom I serve to the best of my abilities.References:Work in the Field. Doctors Without Borders. Retrieved from   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   http://doctorswithoutborders.org/work/field/ on April 8, 2009. American Association of Nurse Anesthetists. Education of Nurse Anesthetists in the United   Ã‚  Ã‚   States – At a Glance. 2005. Retrieved May 23, 2007, from http://www.aana.com/educuscrnas.aspx